All smiles. (Hulu)The "Tell Us Your Sob Story in Order to Be Showered with Material Goods" genre is almost as old as television itself, dating all the way back to "Queen for a Day" in the 1950s. On that show, women were fêted for overcoming obstacles in their lives, and lavished with prizes to compensate them for their struggles. The spirit of that show lives on today in "Extreme Makeover: Home Edition"; and on "The Nate Berkus Show," the latter of which recently finished fulfilling the promise of Oprah Winfrey's late daytime show by building a custom house for Monica Jorge, who, after giving birth, developed an infection in the hospital that ended with the partial amputation of all four of her limbs. "You Deserve It," which premiered last night on ABC, wants to join this noble tradition, but its very structure makes it a much more cynical affair.
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‘You Deserve It’ Is the Most Altruistic Show to (Probably) Make You Feel Very Cynical
By Tara Ariano | The Set – Tue, Nov 22, 2011 9:35 AM PSTYoung Staffer Makes Crazy Faces at the Camera During Congressional Hearing
By linds | The Set – Tue, Nov 22, 2011 9:16 AM PST
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Impressively, someone was paying close enough attention to CSPAN 3 during a congressional hearing about the arctic wildlife refuge and whether or not some professor had camped there enough times (or something?) to catch one young aide making several kinds of faces ranging from "bored," "angry," and "insane" directly at the camera. Watching this (the camera moves for a bit, but she starts up again at the 1:27 mark), it's hard to imagine her knowing there was a camera there, so to what was she making those faces? Is there a mirror on the camera? Is she friends with the camera operator, and doing the classic "Get me out of here!" faces that everyone makes to their co-workers in corporate meetings? If the camera had lingered longer, would she have done that slow pretending-to-shoot-one's-self-with-one's-finger-and-then-slump-over gag that's so popular in the boardrooms of America? We might never know, but if I had to sit in on this immaturely conducted debate, I would make faces like this, too.‘The Real Housewives of Beverly Hills’: Our Daughters, Ourselves
By Joe Reid | The Set – Tue, Nov 22, 2011 7:30 AM PST
Watch what happens!With real-life circumstances threatening to make an erstwhile guilty-pleasure like the BH Housewives into something gross and dirty, it's become our responsibility as consumers of reality TV to compartmentalize. Surely, quite a bit of this second season is going to be under the pall of Russell Armstrong's suicide, but between purse dogs, snarky domestic help, and (fingers crossed!) electric-cigarette-puffing psychics, we can learn to have fun again. With this in mind, we're tackling this season's episodes in order from the moments that are most demoralizing to the least demoralizing. Let's get through this together. Pretty Demoralizing
We didn't even want to have Taylor be the most awful and uncomfortable housewife of the episode. And she had serious competish this week. But despite our mixed emotions about what Camille said at the tea party (more on that in a second), Taylor's enthusiasm about shutting Camille out was just unseemly. Like Taylor was so happy to have the moral upper hand over someone that she was really enjoying twisting the knife.
Read More »‘Late Night’: Cupid’s Arrow Welcomes a New Bachelor
By Tara Ariano | The Set – Tue, Nov 22, 2011 7:22 AM PST
New bro! (Hulu)"Why is Tara Ariano of Yahoo's great new blog The Set always going on and on about this Cupid's Arrow segment from 'Late Night with Jimmy Fallon'?" you have probably asked yourself. "Granted, I've never watched any of the clips she's embedded, but how funny can a sketch about an '80s-era video dating service that used to occupy Studio 8H possibly be?" Guys, I get it. So here are a few teaser lines from last night's installment (which also featured a new bachelor, Rod Rory, played by Jimmy Fallon in a long mullet wig and jumpsuit)."I'm not one to try new foods; I mostly stick to bread, water, and sauerkraut." - Brustin Pouch
"I've grown into my liver, which means there's no problem with the size of my organs." - James Spadge
"I sleep on a cot, so if you have a bad back, you might want to consider bringing your own bed." - Todd O.
Watch it and you will never doubt me again.
Read More »Jay Leno is Completely Right About This Messed-Up New Toilet Paper Commercial
By linds | The Set – Tue, Nov 22, 2011 6:26 AM PSTJay Leno got EDGY last night when he introduced the segment "What Planet Do These People Live On?" to spotlight a Cottonelle commercial campaign that makes no sense on so many levels. I think this is about as edgy and (heh) "alternative" as Jay Leno gets, actually, and, having seen the commercial before, I found myself actually laughing the laugh of recognition. But even in Jay's seeming 360-degree Cottonelle takedown, he forgot one important reason why this commercial is messed up, which I'll mention after the video:
Jay forgot to mention the commercial's entire premise! Don't most houses come with a thingy on the wall for the toilet paper? Or is Cottonelle saying that their respectful toilet paper cover is intended to protect the dignity of an extra, back-of-the-toilet roll? Maybe Jay can have the advertising geniuses behind this campaign on as guests and ask them the hard questions.
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Kate and Riki, you're so fine! (Hulu)Suddenly Everywhere: Riki Lindhome and Kate MicucciYou Might Know Them From: Their musical-comedy duo, Garfunkel & Oates
First Location Of Their Recent Campaigns To Be Suddenly Everywhere: Lindhome: As Harper, an Abaddonn drone in HBO's "Enlightened"
Micucci: As Ray (Zach Galifianakis) superfan Sherri in two episodes of "Bored to Death"Next Location Of Their Recent Campaigns To Be Suddenly Everywhere:
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Lindhome: As Angie, one of Max's (Adam Pally) few ex-girlfriends on "Happy Endings"
Micucci: As Shelley, the dead-toothed ukulele-playing day care operator on "Raising Hope"
ABOUT THE SET
The Set is a blog about TV by two friends who've each been watching and writing about television for years. The Set is a celebration of the small screen in all its glories and failures — because when it comes to TV, there are no guilty pleasures.
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