Biography
Matthau started on the stage and enjoyed lasting success on Broadway, before making the transition to villainous supporting roles in films like "King Creole" (1958) and "Charade" (1963). Following more supporting roles in the comedy sequel "Ensign Pulver" (1964) and the tense political thriller "Fail-Safe" (1964), Matthau partnered for the first time with Jack Lemmon in Billy Wilder's caustic comedy, "The Fortune Cookie" (1966). The pair would …
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Career Milestones
2000 | Cast as the ailing father in Diane Keaton's "Hanging Up", scripted by Delia and Nora Ephron; when a case of pneumonia forced him to leave the production early, son Charles stepped in and played his father's character in a few flashback scenes | |
1998 | Starred opposite Burnett in "The Marriage Fool" (CBS), directed by son Charles | |
1998 | Reprised role of Oscar to Lemmon's Felix in the ill-advised "The Odd Couple II", scripted by Simon | |
1997 | Twelfth acting collaboration with Lemmon, "Out to Sea" | |
1996 | Played angry, aging Jewish radical in Herb Gardner's film version of his play "I'm Not Rappaport"; co-starred Ossie Davis | |
1995 | Reteamed with son, acting in Charles' sophomore feature as director, "The Grass Harp", based on the novel by Truman Capote; in addition to Lemmon, Roddy McDowell, Sissy Spacek, Piper Laurie and Joe Don Baker acted in film | |
1995 | Reprised role opposite Lemmon in sequel, "Grumpier Old Men", which again featured Ann-Margret; also co-starred Sophia Loren | |
1994 | Essayed Albert Einstein for Fred Schepisi's "I.Q.", which reteamed him with Gene Saks playing one of his cronies | |
1993 | Co-starred with Jack Lemmon in "Grumpy Old Men", which reteamed him with Ann-Margret | |
1993 | Portrayed the original grumpy old man, Mr. Wilson, in feature version of "Dennis the Menace" | |
1991 | Acted in "Mrs. Lambert Remembers Love" (CBS), directed by son Charles Matthau | |
1990 | Returned to the small screen as star of "The Incident" (CBS), directed by Joseph Sargent; appeared in two sequels, "Against Her Will: An Incident in Baltimore" (1992) and "Incident in a Small Town" (1994), both helmed by Delbert Mann | |
1988 | Again collaborated with Ritchie on "The Couch Trip"; also played a priest who exorcises the devil out of a woman in Roberto Begnini's "The Little Devil" (never released in USA) | |
1986 | Played peg-leg Captain Red in Roman Polanski's "Pirates" | |
1983 | Reteamed with Ritchie on "The Survivors", co-starring Robin Williams | |
1981 | Reunited with Ross and Simon for "I Ought to be in Pictures"; first film with Ann-Margret | |
1981 | Third and last collaboration with Wilder, "Buddy Buddy", co-starring Lemmon | |
1980 | Reteamed with Jackson on "Hopscotch" | |
1980 | Executive produced and starred in Walter Bernstein's remake of "Little Miss Marker" | |
1978 | "House Calls", his first film with Glenda Jackson, teamed him again with Carney who offered an hysterical turn as the addle-brained head of surgery at Matthau's hospital; also acted in Ritt's "Casey's Shadow" | |
1978 | Reteamed with Ross, Simon and Elaine May on "California Suite" | |
1976 | Made a fine, irascible coach of "The Bad News Bears", directed by Michael Ritchie | |
1975 | First of three films directed by Herbert Ross and scripted by Simon from his plays, "The Sunshine Boys", co-starring George Burns; earned another Oscar nod as Best Actor | |
1974 | First stage appearance in almost a decade (and to date last stage role), "Juno and the Paycock" in Los Angeles | |
1974 | Billed as Walter Matuschanskavasky for his cameo in "Earthquake", adding fuel to a flame he had fanned by jokingly telling a writer a few years before that it was his "real" name | |
1974 | Reunited with Wilder, Lemmon and Burnett for the uneven remake of "The Front Page" | |
1972 | Made rare TV appearance in "Awake and Sing" (PBS) | |
1972 | Acted opposite Carol Burnett in Martin Ritt's "Pete 'n' Tillie" | |
1971 | Second film version of a Neil Simon play, "Plaza Suite" | |
1971 | Portrayed "gold digger" with murder on his mind in Elaine May's "A New Leaf" | |
1971 | Starred as "Kotch", directed by Lemmon; earned first Oscar nomination as Best Actor | |
1969 | Played romantic lead in Kelly's film version of the musical "Hello, Dolly!"; Barbra Streisand played Dolly Levi | |
1969 | Reteamed with Saks for "Cactus Flower", acting opposite Ingrid Bergman and Goldie Hawn (who won a Best Supporting Actress Oscar in her first significant film role) | |
1968 | Reprised "Odd Couple" role opposite Lemmon's Felix in film version directed by Gene Saks | |
1967 | Reteamed with Carney in Gene Kelly's "A Guide for the Married Man" | |
1966 | First film with Jack Lemmon and first collaboration with writer-director Billy Wilder, "The Fortune Cookie"; won Best Supporting Actor Oscar | |
1965 | Slowed down by a serious heart attack; would have a quadruple by-pass operation in 1977 | |
1965 | Originated role of Oscar Madison on Broadway in Neil Simon's "The Odd Couple" opposite Art Carney as Felix Unger | |
1963 | Turned in another fine, villainous turn in Stanley Donen's "Charade", starring Cary Grant and Audrey Hepburn | |
1959 | Sole film as director, "The Gangster Story"; also co-starred | |
1958 | Portrayed evil crime boss in Michael Curtiz's "King Creole", starring Elvis Presley | |
1957 | Starred in short-lived syndicated TV series, "Tallahassee 7000" | |
1957 | Played a cynical newsman investigating Andy Griffith's character in "A Face in the Crowd" | |
1956 | Played James Mason's family friend in the underrated "Bigger Than Life", a forceful, realistic tale exposing both the good and bad of the wonder drug cortisone; produced by Mason | |
1955 | Appeared in first hit show, as co-star of Broadway production of "Will Success Spoil Rock Hunter?" | |
1955 | Film acting debut as an evil saloon keeper in "The Kentuckian", directed by and co-starring Burt Lancaster | |
1953 | Played Iago in "Philco Television Playhouse" (NBC) presentation of "Othello" | |
1950 | TV debut in "Last Cruise", an episode of "Studio One" (CBS) | |
| Appeared in 18 plays on Broadway | ||
1948 | Hired as an understudy for the Broadway production of "Anne of the Thousand Days"; eventually made Broadway debut as the 85-year-old Bishop Fisher | |
1947 | Was stock player with Orange County Playhouse (New York) | |
1946 | Appeared in summer stock with Erie County Playhouse (Pennsylvania) in "Ten Nights in a Bar Room" | |
1945 | Upon Army discharge went to Reno, Nevada, to work for Railway Express; eventually moved back to NYC | |
1942 | Served in US Army Air Force as radio operator and cryptographer; stationed in England, France and Germany | |
| Played bit parts in local Yiddish theater productions as child | ||
1931 | Professional stage debut at age 11 in "The Dishwasher", a musical comedy (date approximate) | |
Awards
1981 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in First Monday in October |
1980 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in Hopscotch |
1975 | Academy Award for Actor in The Sunshine Boys |
1975 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in The Sunshine Boys |
1974 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in The Front Page |
1973 | BAFTA Award for Actor in Charley Varrick |
1972 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in Pete 'n' Tillie |
1971 | Academy Award for Actor in Kotch |
1971 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in Kotch |
1969 | BAFTA Award for Actor in The Secret Life of an American Wife |
1968 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in The Odd Couple |
1966 | Academy Award for Actor In a Supporting Role in The Fortune Cookie |
1966 | Golden Globe Award for Best Performance by an Actor in a Motion Picture - Comedy Or Musical in The Fortune Cookie |
1965 | Tony Award for Actor (Dramatic) |
1963 | Primetime Emmy Award for Outstanding Single Performance By an Actor In a Leading Role in The DuPont Show of the Week |
1962 | Tony Award for Actor, Supporting or Featured (Dramatic) |
